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11. Textural Extremes in Beethoven's String Quartets: Expressive and Formal Functions of Silence and Unison

open_access
Open Access

13. Un-Raveling the Relationships Between Piano and Orchestra in Le Tombeau De Couperin

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Open Access

17. A Comparison of Compositional Style within Luciano Berio’s Arrangement of Johannes Brahms’s Opus 120, No. 1, Sonata in F Minor for Clarinet or Viola

open_access
Open Access