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3. What do the students want? An investigation of high school students' music class interests.

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4. CATEGORIZING HOW AND WHY PEOPLE LISTEN TO MUSIC: THE THREE-SECTOR LISTENER WHEEL

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5. THE SOUNDS OF COPING: LISTENING TO MUSIC AS A COPING MECHANISM FOR COLLEGE STUDENTS

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6. A Case Study of Individuals’ Music Preferences and Their Reported Influences on These Preferences

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11. Students' Perceptions of an Urban Music Education Program: Musical Offerings and Preparation for Lifelong Music-making

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13. Pennsylvania Elementary Band Directors' Methods for Student Instrument Selection

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17. The Well Rounded Singer: An Honors Thesis Recital

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18. Eclectic String Styles in Music Education

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21. The Recital Liberated: Where Art Ends And Life Begins

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23. Un-Raveling the Relationships Between Piano and Orchestra in Le Tombeau De Couperin

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24. Identity and Hip-Hop: An Analysis of Ego-Function in The College Dropout and The Miseducation of Lauryn Hill

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25. Modeling Intonation in Non-Western Musical Cultures

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26. Composing and Collaborating: Navigating the Artistic Relationship

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28. Whitman's Expanse: Translating Walt Whitman's Poetry into Vocal Music Across the Twentieth Century

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30. Discrimination and Isolation Experienced by Female High School Band Directors

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32. Conditioning for Musicians: Transplanting the Methods of Personal Training to the Music Practice Room

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35. Intervallic and Formal Unity in Shostakovich's String Quartet No. 8, Op. 110, Movement Three

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36. TheMagicalMusicMachine.com: Leveraging MIS Knowledge to Build a Song Creation Website

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40. The Underground Renaissance: Acknowledging Early 20th Century Black Musicians as Forefathers of Modern Musical Culture

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42. The Lived Experiences of Music Majors Dealing with Performance-Related Injuries

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